Andrea del Sarto
b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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Andrea del Sarto Portrait of a Young Man oil painting


Portrait of a Young Man
mk156 c.1517 Oil on linen 72.4x57.2cm National Gallery London
Painting ID::  40313 		Andrea del Sarto
Portrait of a Young Man
mk156 c.1517 Oil on linen 72.4x57.2cm National Gallery London
   
   
     
Andrea del Sarto Madonna of the Harpies oil painting


Madonna of the Harpies
mk156 1517 Oil on panel 208x178cm
Painting ID::  40315 		Andrea del Sarto
Madonna of the Harpies
mk156 1517 Oil on panel 208x178cm
   
   
     
Andrea del Sarto Madonna and child with Sts Catherine and Elizabeth,and St John the Baptist oil painting


Madonna and child with Sts Catherine and Elizabeth,and St John the Baptist
mk159 c.1519 Oil on canvas transferred from panel 102x80cm
Painting ID::  40977 		Andrea del Sarto
Madonna and child with Sts Catherine and Elizabeth,and St John the Baptist
mk159 c.1519 Oil on canvas transferred from panel 102x80cm
   
   
     
Andrea del Sarto The Madonna and the Nino, with Holy Isabel and the young one San Juan oil painting


The Madonna and the Nino, with Holy Isabel and the young one San Juan
mk166 1528 I Wave on board of wood 140x104cm Galeria Palace Pitti Florence
Painting ID::  41973 		Andrea del Sarto
The Madonna and the Nino, with Holy Isabel and the young one San Juan
mk166 1528 I Wave on board of wood 140x104cm Galeria Palace Pitti Florence
   
   
     
Andrea del Sarto Sounds appealing with holy oil painting


Sounds appealing with holy
mk166 1523 I Wave on board of wood 238.5x198.5cm Galeria Palace Pitti, Florence
Painting ID::  41989 		Andrea del Sarto
Sounds appealing with holy
mk166 1523 I Wave on board of wood 238.5x198.5cm Galeria Palace Pitti, Florence
   
   
     
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     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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